Lockdown week 45

Another 4 months

The UK roadmap out of Lockdown, at least in England, was announced on Monday 22nd February: June 21 st: all restrictions lifted … if the data supports it.

Each announcement brings some solace, as do the hints of Spring, but the thoughts of another four restricted months brings anxieties.  While there will be things to attend to get us through, the abiding feeling is one of unfulfillment. 

Tools

I mentioned artist printmaker Jim Dine’s etchings of hand tools last week which have inspired thinking through what the equivalent images of 21st century tools might be. There are tools required to keep today’s computers, that are as commonplace as the hand tools of the US 1950’s, up and running with access to the mountains of data that we generate every day and require storing for tomorrow’s use. While considering this Walker Evans Anthology of photography threw up more tools. These were from the 1930’s America and published in Fortune Magazine with the title ‘The Beauties of the Common Tool’. Starkly photographed on white backgrounds there are no diversions from the metal pressed materiality of the tools, resplendent in their invitation to be picked up and applied to the mechanical job at hand.

Walker Evans. Fortune 52 (July 1955) pp103-107
Ten winter tools. hand coloured lithograph. 1973. Presented by the artist to the Tate in 1980

Dine’s tools are similar, but different. They are represented with the same admiration as Evans, but are set against hand-made marks of ink impressed from metal printing plates. This visual approach gives an impression of artistic interpretation and respect, rather than the documentary reality of Evans photographs. Dine’s tools themselves are drawn on the lithographic plate and so are not 100% accurate, but their imprint captures the tool’s core essences. Both are different to the images of tools for sale in the printed catalogues of each period. Tools are displayed in the online catalogues of the 21st Century similarly with single images, choice of views, hover over magnification and price tag. 

The tools and storage required for contemporary activities are virtual. Even the metal small boxes of hard removable disk that were necessary only a decade ago, are nearing extinction as they are phased out to be replaced by giga or tera bytes of ‘hidden form sight or touch’ data stores. Drawings or photographs of invisible data will not reveal any more than the online catalogue description. Interpretative drawings of the removable disks and their cable connections may be worthy of embodying in ink or charcoal.

Charcoal

Charcoal is the medium of Genevieve Robertson current work being exhibited in the wide expanse of Grand Forks, British Colombia. On Instagram she announced that ‘Walking in the Dark’, a physical book from the show was available at a small cost and would be mailed to buyers. I ordered and a brown paper envelope with expressive hand-written address arrived today, in Birmingham UK from Canada.

Although expected, it came as a surprise and gave a positive tactile experience of physically opening both envelope and book to see, for the first time a mix of charcoal abstract and literal images, including the moths from the exhibition: ‘And even dust Can Burst into Flames’. The triumvirate of Drawing, Instagram and snail mail brings welcome connectivity in the pandemic.

‘All drawings featured in this book were produced with carbon, in the form of charcoal, coal, graphite and ink. The limited-edition book contains contributions from artist Jim Holyoak and artist/geologist Carol Wallace and is available for purchase by contacting the artist, or available as a PDF here.’

https://www.genevieverobertson.com/publications#/walking-in-the-dark/

Lest we forget

September 17th. Digbeth, Birmingham UK

covid update

Even though the hospital cases are slowing and the vaccinations are being given in increasing numbers, the death-toll continues rise. Per Head of population the UK death rate is one of the highest in the world.

BBC News

Thats it

Lockdown week 44

Valentine’s Day is Vaccination Day

I have been looking into social media take up. The numbers of images uploaded to internet platforms, daily is enormous: in the billions.  Dustin Stout is a social media entrepreneur and collates the most popular social media networks and apps in 2021 all in one place. Check out his report https://dustinstout.com/social-media-statistics/

The main platform stats:

Facebook statistics YouTube statistics WhatsApp statistics Instagram statistics Reddit statistics Twitter statistics Snapchat statistics LinkedIn statistics Pinterest statistics Tumblr statistics Google+ statistics Periscope statistics

February 14th 2021

The UK Covid figures are more directly concerning and are only ameliorated to some degree, by the high vaccination figures and the slow reduction in the other indicators we are so used to.  There is a consideration by some that the vaccination is not safe, has constituent elements that are dangerous or go against some well held faith beliefs. I am not in any of those camps as I have been raised in a time period when scientific health advances have been accepted and promoted to avoid potential health problems. I have also benefited from physical surgery to allay a variety of health issues my ailing body throws at me. Many such ‘procedures’ are carried out under anaesthetic, administered by injection or inhalation of tested and approved potions. After periods of recovery I have survived these experiences having put my life in the hands of medical and scientific professionals. I am reminded of my secondary school science teacher who opened our studies with: “We do not claim science is the truth, but that it is the best understanding we have.”

Vacs notification

In this light my partner and I received a text notification that we were eligible to receive the covid vaccination. Surprisingly this is probably the most dramatic personal moment in our lives since lockdown began. A sense of light at the end of the tunnel overtook us. Fingers crossed.

We joined the ques at the region’s central ‘vaccination centre’ having followed the signposts directing us and the many thousands of our fellow residents to Millennium Point. A building that received the second highest National Lottery grant to London’s O2 centre, at the turn of the century and which I attended the opening launch. It is home of the Science Museum. Who would have imagined that it would be necessary to commission it for a military level service, delivered by volunteers and health staff in a national effort to protect everyone from a global pandemic.  

Millennium Point Vaccination Centre. Birmingham February 14. 2021

Note taking

I am reading, writing and taking notes as I build a structure to the Phd research and discovered a wonderful article based on an interview with artist printmaker Jim Dine (b1935).  Like much of the writing I read, I take notes, add page references in order I can locate for future reference. Articles like Paul Coldwell’s on Dine give me a problem!  They are so research informative that I end up taking so many notes I might as well just have copied the whole article for future reference. Perhaps highlighting within the article might be better. Or noting on each quote where I think the reference will be most useful in my written research, to ease the memory process. 

The early work of Jim Dine where he made intaglio prints of hand tools giving them a status reserved for religious scenes in the past by such artists as Rembrandt Van Rijn, who Dine refers to as ‘the greatest’. ‘Five Paintbrushes is a print that hovers between tragedy and comedy, the brushes themselves suggesting disparate characters lined up for inspection. It is perhaps not too far to suggest that Dine’s brushes evoke the character of the Texans led by John Wayne in the 1960s film The Alamo. A fierce independence coupled with a romantic moral integrity, plus a sense of being of the earth, is instilled in the band of brushes.’ This parallels a description that Dine once gave of himself: ‘On the outside I was kind of like James Dean, with the heart of Christopher Robin’.[1]  Five Paintbrushes goes through  six ‘states’ of prints beginning with 5 paintbrushes in a line in the first state and increasing to ten brushes before returning to five in the final state.

The prints were made in 1970’s America and are more than realistic representations of hand tools bought from the local hardware store. They resonate with his experience of growing up and celebrations of the materiality of tools to be used by the hand. Seeing and thinking about ‘Tools’ led to considering recent lockdown experience of ‘backing up’ years of photographic images on virtual servers. Nothing could be so far from the materiality of Dine’s metal hand tools. I realised that, pre virtual back up I had a collection of physical external ‘back up’ hard drives. They could be lined up like the ‘70’s’ Paintbrushes as necessary tools of the early 21st Century. How far science and technology has developed in 50 years.

Paul Coldwell. 2016.  Jim Dine – Printmaking and the Tools of his Trade


[1] D. Shapiro and J. Dine, Jim Dine, New York, 1981, p. 205.

Lest we forget

September 17th. Digbeth, Birmingham UK

covid update

Even though the hospital cases are slowing and the vaccinations are being given in increasing numbers the death-toll continues rise. Per Head of population the UK death rate is one of the highest in the world.

BBC News

Thats it

Lockdown week 43

More and more, closer and closer.

An increasingly sombre atmosphere is beginning to pervade our lives. The coming together of winter, snow, extended isolation and the virus figures are leading to depression and desperation. The vaccinations are increasing, but so it seems are the variants. 

We are subjected to virus and variant statistics as we try to make sense, come to terms with or ratioanalise what we are experiencing on a daily basis, as more and more people are affected by the virus. John Hopkins university has been updating the medical health statistics since the pandemic began, which has been important to maintain benchmarks for now, and when we look back and analyse what happened when.

I have been reading and writing this week as I try to avoid the statistics, the fears and depressions that are in the air. My friend and fellow studio artist lost his mother to the disease last week.  I feel comfortable in eluding to his loss as he has made a digital toolkit to support those suffering loss. 

It is so valuable and useful for those trying to get through the pain and grief of loss. 

‘After the loss of our Mother to Covid, I’ve put this video toolkit together to help those who can learn from mine and my families experience, how we used digital tools for healing and grieving in this unprecedented time.’

Thank you, Mohammed Ali

Have a reasonable week.

Lockdown week 42

The Snow has gone, the temperature has risen and the birds are out.

The annual RSPB Garden Bird Watch was this weekend and for an hour the quiet focus was only interrupted by the birds calling or singing to each other as they found food in the feeders or the buds and berries that are beginning to show themselves. Two distinctive blue and orange Nuthachs appeared to display their clever food collection techniques using their long precise beaks. They run up and down the trees tap, tap tapping as they go.

Nuthatch, Ingoldsby 2021.

Below the less colourful and more camouflaged pair of Dunnocks pick up the seeds as they forage amongst the undergrowth before lifting off to sing their loud song. Seasonal activity is on the increase as the seasons change and perhaps we are more aware of them in these times

Drawing

Literature and written research is taking precedent over drawing and printmaking in current times. However I have drawn two portraits for the series: WHEN WE COULD MEET AND SHARE #BLM. The first is from a photograph made before Lockdown in the Birmingham School of Art Print room when MA student @ray_workz dropped by with her statement hat. The orange flat colour is reminiscent of that which she chose in her CMYK large scale self portraits. The second was while visiting the British Museum for The American Dream, Pop to the Present in April 2017 drawn from the museum’s collection of prints. Art Desk review by Mariana Vaizey. That was sometime ago when many peoples attended the Museum and shared cultural experiences.

Rachelle 2019. Digital drawing January 2021.
British Museum 2017. Digital Drawing January 2021.

Lest we forget

September 17th. Digbeth, Birmingham UK

covid update

There are no words to describe the level that the death rate has risen to this week.

BBC News

Cathedral Vaccination Centre to Music.

Impromtu music makes such a difference.

Follow the Salisbury Cathedral Organist who provides a soundtrack to vaccinations in unlikely surroundings and a commentary on the introduction of a vaccine service on his twitter feed. Look out for the surprise appearance of Bernie Sanders who has been turning up in his mittens across the globe. Made possible by NYU masters student Nick Sawhney.

Thats it

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