Following on from the surprise Damson drawing developments of episode 2, I was expecting to find new fruit subjects in Santander, Spain when I attended the IMPACT Printmaking Biennale. I came across some figs, but they were no more enticing than the surprise Welsh find of episode 1. No citrus fruits, lemons or oranges. Perhaps I was not looking in the right place.
However I met David Faithfull, a Scottish Artist when attending his ‘Squid Ink’ art work using sand silk screen printing on the Sardinero Beach : Playa Primera de El Sardinero.
He also presented his work on a panel which he began by handing out packets of what I thought were individual OAK seeds. He informed us they were OAK GALLS, a very different proposition, from which he had made prints using, focusing, inspired by the OAK, which was hanging in the Impact10 Central Library Exhibition.
Subsequently I visited the exhibition, next to David’s Liminal, Aviary exhibit, and enjoyed the prints, BUT there placed on a small ledge, were the Galls on their branch, I could feel episode 3 of the Fruits of Drawing beckoning. My trip back from Santander was long an laborious, but it gave me the opportunity to draw the Oak Galls.
In 2005 on a summer visit to Corsica I drew a line drawing of walnuts growing on the vine. The drawing was made with a pencil on sketchbook paper. For 15 years I had not come across a walnut plant or anything like those defined fruits, leaves and branches. This summer, 2018 I saw figs growing rather incongruously in West Wales with a similar fruit and structure. Attracted by the same sun lit ripe fruit image I embarked on a drawing, but this this time I had an iPad and pencil to hand. I deliberated on what I should draw to reflect this group of fruits: line, shading?
I began by taking a number of smart phone photographs from a range of angles to achieve a useful composition. Not something I considered in corsica with a traditional lead pencil and sketchbook in hand. I began the figs drawing with it in mind to make a line drawing similar to the walnut drawing. First I created a layer in the iPad procreate app for my favoured photographic composition. A second layer became the space for a shading and a third for a line drawing. For the line drawing I selected the 6b pencil and a mix of ‘perfect pencil’ and ‘blunt pencil’ for the shading layer. I began by line drawing two of the figs to the left and their branches. I then swapped to the shading level and drew the figs to the right. Enjoying reflecting the shapes in both modes I went on to compare each by viewing them side by side by making each’s layer visible. Each had their own quality of image and I went on to completing each I their particular layer.
Drawing in line requires a lightness and variation of weight to create a line depicting the whole object, while shading demands an overall approach to the object and its volume. Like the Corsican walnuts both drawings include indications of the branch, stem and leaves structure to the plant to suit each technique. The line drawing with rather extended branch and stem with little detail of the leaves, while the shaded drawing takes the reverse approach, with more detail in the leaves and less attention to the branch and stems.
For the shaded drawing the leaves were added to give more depth to the fruit on the branch. Both drawings have their discreet qualities. However, out of interest and ‘just to see’ what it might be like to mesh the two I switched both layers to visible and a ‘new’ third drawing is revealed. The shaded drawing now had sharper edges. The more defined edges from the line drawing gives the third composite drawing more presence and the inclusion of the line drawn extended branches give more context to main subject – the figs.
Click the Line,shading composite above image to view a moving imager capture of the drawings. https://vimeo.com/285645969