The first portrait using a sanded surface has been taken another step forward into a unique ink image. A sweep with a small squeegee charged with gold ink on to a sheet of white cartridge paper was left to dry for two weeks. The ink hardened into surfaces that may be printed upon, even though the sweep’s edges stood proud from the paper. By positioning the gold arc under the silk screen the resultant print reflects the trajectory of the thumb of the subject. The illumination is intriguing. Under the dark ink the gold glows through, while on the white paper it moves between flat, bright, reflective gold to congealed reverse embossed ink, indicating the three dimensional quality of the action that has created it. The reverse emboss created a sweeping ridge that has taken the ink at a height giving a dark curve, with a secondary shadow glow.
The portrait has been shared with the unwitting subject Rashid Campbell. In lockdown he is in quarantine returning from supporting Syrian refugees in Lebanon. The portrait was shared over WhatsApp and initial feedback is very positive and we look forward to meeting in 2021 to share the physical portrait. Perhaps in the studio.
Slide show of the process