Literature Review

PHD Literature Review   November  2018 

 

Drawing :

Thompson, D.V., 1933. The Craftsman’s Handbook: Il Libro dell’Arte Cennino d’Andrea Cennini. New Flaven.

 

Petherbridge, D., 2010. The primacy of drawing: histories and theories of practice. Yale University Press.

 

Cain, P., 2010. Drawing: The enactive evolution of the practitioner. Intellect Books.

Malsen, M. and Southern, J., 2011. Drawing Projects-An Exploration of the Language of Drawing. Black Dog Publishing.

Secret Knowledge. David Hockney.   Rediscovering the Lost Techniques of the Old Masters. David Hockney. Thames and Hudson, London, 2001 ISBN 0-500-23785-9.

Drawing people: the human figure in contemporary art. Malbert, Roger, author

 Picturing people: the new state of the art.  Mullins, Charlotte

 Drawing in the twenty-first century: the politics and poetics of contemporary practice Pergam, Elizabeth A., editor.

Human anatomy for artists: the elements of form. Goldfinger, Eliot

 Drawing now: between the lines of contemporary art.  An exhibition in book form, this showcase of the best of drawing now features 100 works by almost 50 artists including Susan Hauptman, Paul Noble, Jeff Gabel, Tracey Emin, Jane Harris, Erwin Wurm, Cornelia Parker and 2004 Jerwood Drawing Prize winner Sarah Woodfine   Published London: I. B. Tauris, 2007

The drawing book: a survey of drawing – the primary means of expression. Kovats, Tania. Published London: Black Dog, c2007

Writing on drawing: essays on drawing practice and research. Garner, Steve  Published Bristol: Intellect Books, 2008

The elements of drawing. Ruskin, John, 1819-1900Cook, E. T. (Edward Tyas)Wedderburn, AlexanderDunstan, Bernard, Published London: Herbert, 1991

Vitamin D2: new perspectives in drawing.  This is a global, up-to-the minute survey of contemporary drawing. It features the work of 115 artists working internationally. Published London: Phaidon Press, 2013

 

Photography

Scharf, A., 1974. Art and photography. Penguin.

 

Berger, J., 2013. Understanding a photograph. Penguin UK.

 

Phillips, S.S. ed., 2010. Exposed: Voyeurism, Surveillance, and the Camera. Tate Pub..chapter Simon Baker.

 

Phillips, S.S. ed., 2010. Exposed: Voyeurism, Surveillance, and the Camera. Tate Pub. Sandra Phillips Voyeurism and it’s affinities from the beginning of photography.

 

Keller, J., 1993. Walker Evans and many are called: Shooting blind. History of Photography17(2), pp.152-165.

A Pre-Raphaelite partnership: Dante Gabriel Rossetti and John Robert Parsons. Colin ford Burlington magazine .  May 2004, No. 1214 – Vol 146

Chuck Close: photographer

Westerbeck, Colin, authorClose, Chuck, 1940-Parrish Art Museum, host institution

 Faces of the living dead: the belief in spirit photography

Jolly, Martyn   Published London: British Library, 2006

 

Walker Evans. Ed Clement Cheroux. 

Pub centre pompiduo, Delmonico. Prestel 2017.

 Engaged observers: documentary photography since the sixties.  Abbott, Brett, 1978-J. Paul Getty Museum  Published Los Angeles, Calif.: J. Paul Getty Museum, 2010

I am a camera. Saatchi Gallery  Published London: Booth-Clibborn, 2001

Train your gaze: a practical and theoretical introduction to portrait photography. Angier, Roswell. Published Lausanne: AVA Academia, c2007

Painting and Photography. 1839-1914.  Dominique de Font-Reaulx.  Pub Flammarion 2012 

 

Theory

 

Against interpretation and other essays. Sontag, Susan  Published London: Deutsch, 1987

Aristotle.  Barnes, Jonathan, 1942 Published Oxford: Oxford University Press, 1982

Aesthetics: lectures on fine art

Hegel, Georg Wilhelm Friedrich, 1770-1831Knox, T. M. (Thomas Malcolm), 1900-1980Published Oxford: Clarendon Press, 1975

The significance of beauty: Kant on feeling and the system of the mind. Matthews, Patricia M. Published Dordrecht; London: Kluwer Academic Publishers, c1997

Introductory lectures on aesthetic.  Hegel, Georg Wilhelm Friedrich, 1770-1831Inwood, Michael, Bosanquet, BernardHegel, Georg Wilhelm Friedrich, 1770-1831

Published London: Penguin, 1993

 

The hidden Hand Juhani Pallasmaa.  Pub Wiley. 2009

 

Joseph August Lux.  Thorising early amateaur photography – In search of a “Catholic Something.” Mark jarzombek. Mit.

Screen/space: the projected image in contemporary art. Trodd, Tamara

 

Poiesis and Art-Making: A Way of Letting-Be. Derek H. Whitehead     Sometimes, working hard is not enough – Poiesis and Praxis

Barthes, R. and Howard, R., 1987. Camera Lucida: Reflections on Photography. New York: Hill and Wang. NON

 

Printmaking and drawing and photography

 

Kathe kollwitz – Portrait of the Artist printmaker .

IKON and British Museum Catalogue isbn: 978-1-911155-14-0

McCausland, E., 1937. Käthe Kollwitz. Parnassus9(2),

 

 

Prelinger, E., Kollwitz, K., Comini, A. and Bachert, H., 1992. Käthe Kollwitz:National Gallery of Art, Washington (3.5.-16.8. 1992). Yale University Press

Tate Vija Celmins video interview : https://www.youtube.com/watch?v=ZbA5qTOB1mI

 

Chuck Close. Blood Sweat and Tears.Kirke Varnedoe. 2002 534 W,25thSt NY

 

Chuck Close interviews Vija Celmins Artspace : https://www.artspace.com/magazine/interviews_features/book_report/chuck-close-in-conversation-with-vija-celmins-about-her-dense-yet-infinite-drawings-54732

 

The American Dream– Stephen Coppel, Catherine daunt, Susan Tallman.

British Museum Thames and Hudson 2017

 

 

Printmaking techniques: https://www.handprinted.co.uk/

 

Morton, M., 2017. Max Klinger and Wilhelmine Culture: On the Threshold of German Modernism. Routledge.

 

The printed picture

Benson, Richard

‘The Printed Picture’ traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. Published New York: Museum of Modern Art, c2008

 

 

 

Portraiture

 

Woodall, J. ed., 1997. Portraiture: Facing the subject. Manchester University Press.

 

Cumming, L., 2009. A face to the world: On self-portraits. HarperCollins UK.

 

Zöllner, F., 2000. Leonardo da Vinci, 1452-1519. Taschen.

 

Thompson, D.V., 1933. The Craftsman’s Handbook: Il Libro dell’Arte Cennino d’Andrea Cennini. New Flaven.

 

Interview with Jenny Saville.  Elena Cue. Huffington post 2016

William greenwood. Central Islamic lands at the museum of art in Doha. The new

Van Kruiselbergen, A., 2013. Breakfast with Lucian Geordie Greig.

 

Lucian Freud. Catalogue.  William Feaver. Tate Publishing 2002

Francis Bacon. Use of Photography http://francis-bacon.com/life/family-friends-sitters

Schama, S. and van Rijn, R.H., 1999. Rembrandt’s eyes (p. 329). New York: Alfred A. Knopf.

 

The Vasari Corridor & its Self-Portrait Collection

https://en.m.wikipedia.org/wiki/List_of_self-portraits_in_the_Uffizi_Gallery

 

Portable Studio – Trevor Appleston : Publisher: Booth-Clibborn Editions (31 Oct. 2017)ISBN-10: 1861543808NON

Cumming, L., 2009. A face to the world: On self-portraits. HarperCollins UK.

Laura Cummings, Observer review Dec 19th2017

 

 

FACEBruce Gilden photographs. Daniel Lewis publishing 2015

 

 

 

ONLINE REFERENCES :

 

 

omb magazine https://bombmagazine.org/format/interview/

 

Bruce Gilden you tube :  https://www.youtube.com/watch?v=kkIWW6vwrvM

 

 

De Corcia –https://thephotographyblogger.wordpress.com/2011/03/27/famous-photographer-series-philip-lorca-di-corcia-heads/

 

 

 

 

 

 

 

NON utilised literature

 

Simmons, L., 2014. ” Drawing has always been more than drawing”: Derrida and disegno. Interstices: Journal of Architecture and Related Arts. NON

 

21stcentury portraits – national portrait gallery. Andrew Graham Dixon, Jo Higgins, Sarah Howgate, Sandy Nairne NON

 

The Naked Portrait: National Gallery of Scotland. Martin Hammer.  ISBN 978 1903278956 NON

 

Wilde, O., 2003. The picture of Dorian Gray. Penguin. NON

Hustvedt, S., 2016. A Woman Looking at Men Looking at Women: Essays on Art, Sex, and the Mind. Simon and Schuster. NON

 

Di Pippo, A.F., 2000. The concept of poiesis in Heidegger’s An introduction to metaphysics. Thinking fundamentals9. NON

 

Andrea Büttner Beggars and iPhones . Catalogue. 2016 Kunsthalle Wien GmbH .Vienna ́s exhibition space  NON

 

Cubitt, S., 2014. The practice of light: A genealogy of visual technologies from prints to pixels. MIT Press. NON

Thomas Struth Photographs 1978 -2010. Ed . Annette Kruszynski, tobi bezzola james lingwood Monacelli Press NON

 

Walker Evans and Dorthea Lang and Eudora Welty for the American Works Progress Administration

 

Davidson, Bruce, Fred Braithwaite, and Henry Geldzahler. Subway. Steidl, 2011. NON

 

Benjamin, W., 2008. The work of art in the age of mechanical reproduction. Penguin UK. NON

 

Fried, M., 2008. Why photography matters as art as never before (p. 409). New Haven: Yale University Press. NON

 

Coming to Light Birmingham’s photographic collections. Ed Peter James ISBN 0709302282 Birmingham museum and art gallery. Birmingham Library NON

 

Newhall, B. 1964. The history of photography from 1839 to the present day.; Book. NON

 

Brassaï, 1976. The Secret Paris of the 30’s. Pantheon Books. NON

 

Vietnam Inc Philip Jones Griffiths Macmillan. Collier books NYC. Lib of congress73-167932 NON

 

Thomas Bock – IKON ed. Jenny Stewart and Jonathan Watkins and Cornerhouse. isbn: 978-1-911155-17-1 NON (used with blog)

 

Portable Studio – Trevor Appleston : Publisher: Booth-Clibborn Editions (31 Oct. 2017)ISBN-10: 1861543808NON

Cumming, L., 2009. A face to the world: On self-portraits. HarperCollins UK.

 

 

Luke Delahaye – (portraits)  NON

 

 

Beat Streuli (New Street) IKON NON

 

 

Ed Eva -dutch photographer NON